Paul Visciano

Sci-Fi Labs · Vision

Own the stack

A nearby future where the operating system, the private archive, and the public spatial web apps all belong to you. Not a lease from three companies. A computer you can unplug.

← → keys · swipe

Most of the software on a desk is rented. The operating system phones home. Photos sit in someone else’s bucket. The music tool is a subscription with a sample library you do not own. The social layer is a feed you do not control. If any one of those companies pulls the plug, a piece of your life goes dark.

Sci-Fi Labs is the other stack. Three layers on one timeline. Open source. No cloud landlord. The public campaign leads with a globe. The private graph stays on a drive you can unplug.

01 · OS

Omarchy

A tiled Arch desktop you can see. Agents as a key, not a landlord. Only the processes you asked for.

02 · Private

Knowledge Graph

The file browser becomes a conversation. Sensitive files live on a drive you can unplug.

03 · Public

Spatial web apps

A globe, a cube, a network. Published as websites on your domain. Same URL on phone, desk, Vision Pro.

Own the OS. Own the apps. Own the data. If a company can pull the plug, you do not own the stack.

The stack, left to right

01
Omarchy
Burn the ISO. Tiled Arch. Super + K.
02
Air-gap drive
Photos, voice, money, medical. Unplug = blind.
03
Knowledge Graph
Speak to the files. Local model. No landlord.
04
Public apps
Globe. Cubes. Network. Ordinary websites.
05
Space
Same URL. Gestures. The window drops away.

The operating system you can name

Night desk with a tiled dark Linux desktop, terminal beside browser, mechanical keyboard
No dock. No mystery tray. A window you opened, and another one.

Omarchy is DHH’s omakase Linux cut — Arch, Hyprland, Quickshell. Quattro shipped August 14, 2026. The bar, launcher, lock screen, and menus live in one process. Super + K shows every binding. You install it, customize it, and the machine launches what you bound.

That is the desk the rest of the stack is meant to sit on. Not a Mac you cannot name the processes on. Not a Windows lease. A desktop you can read. Agents are a hotkey. Local models are files. If you dismiss the agent notice, there is no AI on the machine. Present. Optional. Not a mandatory cloud account.

Sci-Fi Labs takes that desk as the owned OS. Knowledge Graph becomes the native file layer on top of it. The public apps stay websites. Own the OS, the apps, and the data. That is the whole sentence.

The drive you can unplug

Silver external drive on a desk with the USB-C cable disconnected; laptop behind it shows a glowing photo graph
Plug it in, talk to your files. Unplug it, the AI is blind.

Knowledge Graph is the private layer. It is not the homepage hero. Conversations, photos, voice notes, financials, medical records — the files you would not hand to a cloud — live on an external drive. When the cable is in, a local model sees them as a graph you can walk. When the cable is out, there is nothing to see.

That is an air gap, not a privacy setting. A toggle in a settings panel can be walked back by an update. A cable on the desk cannot. The graph is the file browser: you speak instead of hunting folders. Photos sit next to the conversations that mention them. A receipt sits next to the trip it paid for. Time is an axis, not a folder name.

Laptop screen showing a dark infinite canvas of personal photos, voice notes, and documents linked as a graph, with a silver drive plugged in beside it
The file browser as a conversation. Local model. Drive LED on.

JARVIS was the first cut of that idea — git as memory, an agent that knew the month. Neuro Graph is the public face of a network. Knowledge Graph is the engine that stays on the machine. Bonsai runs on 16 GB. Whisper hears. Nothing leaves the desk unless you publish it on purpose.

The public apps

Where is Paul? Live capture from the running app. Pins, stay-length bars, comic covers on the shelf.

The public layer is ordinary websites. No store. No extra session. Same URL on a phone, a desk, and Safari on Vision Pro. Pinch to zoom. Look to look around.

Where is Paul? is the flagship — globe, field-log filters, comics from real photographs, a character bible. Fifty-three moments across twenty-seven countries. The color of a place is how long a stay lasted. Clone it and swap moments/moments.js. That is your own social media, on your domain.

The latest cut is cohesive. Search “Places, people, stories.” Open Filters and you get the tribe, the years, the tags. Tap a pin and a comic drawer slides in with a street map. Characters is a flipbook: photograph on one side, illustration on the other.

Field Log Filters, captured live. People, year, tag. The public graph of a life.
Bangkok Hustle I, then Chicago. Drawer, full post, city map. All from the running globe.
The character bible, live. Photo and drawing. Arrow to the next person.

The portfolio site is the blog layer of the same life. Essays, field notes, the argument. Not a feed someone else ranks. A site you publish.

Musical Cubes, running. Each face is a stem. Publish a side or the whole cube.

Musical Cubes is the music layer. Tracks as rotating cubes. Each face is a stem — vocal, guitar, drums, bass. You play a face, loop it, sync it to the others. You can publish one vocal or an entire arrangement. The original performer keeps the largest cut. A remix writes a royalty chain instead of erasing the first name.

That is a different primitive than a DAW timeline or a streaming catalog. The cube is the unit of ownership. A marketplace of faces, not a lease on a sample pack.

Where is Paul globe turned to North America with Chicago and Americas pins
Chicago on the live globe. A cube made on the road lands on the same pin.

A cube made on the road can drop onto the globe at the place it was recorded. The public apps share a clock. A photo on the private drive, a pin on the globe, a face on a cube, a paragraph on the blog — same moment, four surfaces. You decide which surface is public.

Neuro Graph, running. People, places, time as a graph you orbit.

Neuro Graph is the public network of that life. The Secret Family is another spatial web app: a hierarchy of claims you walk in the browser. Maps claims. Not an endorsement.

One timeline

Person at a night desk with an amber timeline of light connecting an external drive, a laptop graph, a holographic globe, and a music cube
Drive. Graph. Globe. Cube. One clock running through all four.

The nearby future is not four products. It is one day.

Morning on Omarchy. Super + Return is the terminal. Super + Shift + Return is the browser. No dock. You plug in the drive. Knowledge Graph wakes up. You ask what you recorded last Tuesday and a voice note and three photographs slide into view. You leave the medical folder closed. The model cannot see a file that is not on the mounted volume.

Afternoon you publish. A pin goes on the globe. A paragraph goes on the site. A cube face — just the vocal — goes public with the performer named first. The rest of the cube stays yours. Evening, the same URL opens in Safari on a headset. The window is gone. The apps are still the apps.

LayerWhat lives thereWho can take it
OmarchyThe desk. Keys. Agents you chose.You, by not launching them.
Air-gap drivePhotos, voice, money, medical.Nobody, once the cable is out.
Knowledge GraphThe private conversation with those files.The model on the machine.
Where is Paul?The life you chose to show.You. It is a file on your domain.
Musical CubesStems you play, publish, or keep.The royalty chain you wrote.
PortfolioThe argument. The field notes.You. It is a static site.

The nearby future

Person standing in a dim apartment navigating holographic panels of a globe, a knowledge graph, and a music cube
Same apps in space. Gestures instead of a dock. Still your machine underneath.

The same URL already opens on a phone, a desk, and Safari on Vision Pro. The next surface is space itself — a hologram of the UI you already have. The stack does not change. The window disappears.

That is not a product launch. It is a sequence you can start this weekend: burn the Omarchy ISO, plug in a drive, open the globe, turn a cube. The private conversations stay on the drive. The public apps stay websites you publish yourself. Everything in the lab is a repo you can fork.

3
Layers · OS, private, public
1
Timeline across every layer
0
Cloud landlords required
16 GB
The machine most people have

Watch the stack

Where is Paul? live demo. Globe, Chicago, Bangkok, filters, comic drawer, character bible.
The public stack in one pass. Globe, filters, comics, cast, cubes, Neuro Graph, portfolio.
Same URL on a tablet. The window is a website.
Same URL in Safari on Vision Pro. The window is gone. The apps are still the apps.

Latest in Sci-Fi Apps

The public lead is Where is Paul? — globe, filters, comics, characters, all live on one URL you can clone. Musical Cubes and Neuro Graph are sister spatial web apps. Knowledge Graph stays off the homepage on purpose. This page is the map of how those apps sit on an owned OS.

More from Sci-Fi Labs

Omarchy — A glimpse into the future → Knowledge Graph → They can pull the plug →